There are two ways in which Logan represents a major change for superhero movies. The first, and most obvious, is the maturity of its content. Wolverine swears, Xavier swears, people get decapitated, and both Hugh Jackman and Dafne Keen spend the majority of the film covered in fake blood. Perhaps the more interesting change, though, is what Logan doesn’t do. It doesn’t feel the need to wrap up two decades’ worth of canon, or leave the door open for a sequel, or culminate in a big fight sequence with recognizable faces from the X-Men universe. Put it another way: Logan is the best at what it does, but what it does isn’t very superhero movie-ish.